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Featured
October 27, 2022
Attend this tale. I regret that I never ran into her at a cocktail party, nor was I privileged to have shared the stage or screen with her. Except for a brief moment, my story is the story of millions. I was an audience member, a fan who was the happy beneficiary of the talent…
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November 29, 2020
Last night I enhaled the glorious mise en scene of Steve McQueen’s Lover’s Rock, one of the five short films that comprise his Small Axe series (Amazon Prime). All that polyester! Sweaty dancers and swigs of beer redolent of high school parties in the basements of classmate’s houses! It’s the power of film, and its…
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April 30, 2017
A few hours or so spent in the company of a great film is akin to falling in love. A spell is cast; like a lover, the images on screen evoke a flipbook of feelings. That was what it was like to experience a Jonathan Demme film. I won’t soon forget the unbeatable elation I felt…
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September 5, 2016
How apt that the red barn on top of the Metropolitan Museum of Art is called Transitional Object. It’s a term psychologists use to describe that which weans us away from, while providing the comfort of the original—think pacifier, though such objects might also be defined as props used to test reality. Could the same…
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March 30, 2016
For us union performers, the names Ken Howard and Patty Duke were synonymous with leadership; both served as president of the Screen Actors Guild at pivotal transition times. Duke famously took over the reins from William Schallert, a case of TV-bred nepotism (Schallert played Duke’s character’s father and uncle). More recently Howard shepherded the merger…
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January 2, 2015
It isn’t true for every child that grows up in a large family, but it was true for me: I wanted to be seen. There I was, a middle child (one of ten) convinced of his invisibility, and fighting like hell to rectify the injustice. From where I sat, recognition came either by way of…
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November 23, 2014
The very first play I saw on Broadway was the original production of D.L. Coburn’s The Gin Game. By then, Hume Cronyn and Jessica Tandy had left, and been replaced by E.G. Marshall and Maureen Stapleton. No matter: it was still a once-in-a-lifetime evening watching those two deliver performances so perfect they made me weep….
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August 11, 2014
We had a few things in common. Both of us were sons of the midwest (he hailed from Chicago; I was born in Cincinnati). Both of us were born on July 21. About the last–I once worked as an extra on one of his films. It was Cadillac Man, and I was thrilled, though not…
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May 20, 2014
If he’d only shot The Godfather, Annie Hall and Manhattan, Gordon Willis’s reputation would be secure as one of the visual artists responsible for Hollywood’s last golden age of artisanal filmmaking. But his other films were equally masterful–this was the man who also did Pennies from Heaven, Woody Allen’s wonderful run of 80s films (Zelig,…
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April 15, 2014
On screen, onstage, in concert: here’s some stuff I got to see last week. Only Lovers Left Alive (Jim Jarmusch, director). What could be more modern? Two lovers live on opposite sides of the continent; when Adam (Tom Hiddleston), a legendary rock star recluse holed up in Detroit, becomes suicidal, his lady, Eve (the tres elegant…
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