More Oscar Bait!
Silver Linings Playbook (David O. Russell, director). Two zanies meet cute, overcome a boatload of wacky complications to find love. The setup sounds like a plot spun from the delicious mind of a Preston Sturges or Howard Hawks. Russell, returning to the brand of comedy he minted in such films as Spanking the Monkey...
Accent on Youth
As summer creeps to a close, I thank the stars for the Shins: look beneath the mind-bending time signatures of this pop group and you’ll find a neo-folk style that straddles eras as well as genres. Its easy evocation of coltish youth suits Trey McIntyre’s choreography for the Shins-titled Oh, Inverted World, part of the...
Dig Two Graves
The sound of the wind was strong. It was that, and what felt like sudden warmth that made Christina sit up, then shield her eyes from the sharp light. She’d fallen asleep in the field. How long had it been—an hour? Minutes? She yawned. The inhalation rephrased the moment, reminded her why she’d come back...
The Friends of Frank
On recent sleepless nights I’ve been haunted by an image of a person I’ve come to know well. The man has the face of a pugilist; tall and long-limbed, he stands with his hands behind his head wearing nothing but a pair of boots and a taunting, defiant stare. This portrait of Frank O’Hara, by...
Pleasures By Parsons
With Manhattan now plunged into tundra-nipping temps, no one could be blamed for falling into the contagious warmth that emanates from the Joyce Theater in Chelsea. Now through the 22nd, Parsons Dance is weaving its spell of virtuosic imagination that since 1985 has only deepened in its ingenuity and delights. Would that every company instilled...
Shortcuts: Coriolanus
Fiennes, with Vanessa Redgrave Was it accidental, or did Ralph Fiennes anticipate the cries of the rabble? At the beginning of Coriolanus, Fiennes’ adaptation of Shakespeare’s parabolic tale of a war hero who, prodded by minions and his politic/duty-bound matriarch (Vanessa Redgrave, better than ever, if that’s possible) loses the courage of his convictions...
Of Reliquaries and Retrospects
The mournful qualities of fall—all those dying leaves whose color mimics that of dried blood—complement the inaugural season at New York LiveArts, the still-young merger between Dance Theater Workshop and Bill T. Jones/Arnie Dance Company. With evergreen works by Jones and John Kelly being remounted, how intriguing that so far the theater unfolding in the...
Funny Boy
Cancer bulletin: nothing relives the doldrums of my birth month like a good laugh. Good luck finding anything resembling that at the movies; sure, it’s air-conditioned but “rom com” beware. The term alone guarantees the absence of wit, or for that matter, anything resembling human behavior. Which means us humor-mongers must reach back to the...
Regular People Picking Pictures
The leaving is the hardest part. Call me complacent, or merely a homebody—whether departing for Rome, Beijing or even upstate New York, a mourning state comes over me whenever I must leave Manhattan. Maybe it’s always hard because I can’t forget that this was where my life truly began, which means that all its signposts—its...
Undoing the Folded Lie
In the powerful revival of Larry Kramer’s The Normal Heart, villains abound: there’s institutional homophobia fed by a conformist über-het society; New York’s red-tape bound local government led by a bachelor mayor rumored to be gay (Ed Koch, though never mentioned by name—oh, those pesky libel laws); the gay community adrift in a sexual roundelay...
Twilight world from a distance, and up close
Alvin Baltrop took the long view. I relish his head-spinning panoramas of places that no longer exist; Baltrop’s camera captured the looming gilders inside abandoned hangars and the wide expanses of wooden piers along the Hudson in the West Village, ones that hadn’t seen a ship’s arrival in many a moon. But look closely, and...

